JULY 2005 / JUNE 2007 · by THÜ HÜRLIMANN As a professional visual artist with degree in graphic designs and 17 years of working experience I am generally a very visual oriented person. One of the reasons of my love for the french horn, besides it's wonderful tone, is, it looks great! Searching around on homepages of all known manufacturers, I decided to pick out which ones are the most beautiful horns available. No question, every of the full double horns I've found is a king of instruments, but there are some details that can make the difference between a nice looking horn and an absolutely perfect beauty.

This is a horn beauty contest
I did a study of the differences between available horn designs and analyzed what are the reasons that one horn looks esthetically more pleasing then an other one. I've found some specific factors that are responsable for this. Each one gives a horn a beauty point if accomplished. The best designs with all factors completed earn the title of a "Perfect Beauty", the ones that lack only one factor earn the title "Beauty". Of course all of this has nothing to do with playability and sounding or crafting qualities of this horns, as I said this is only a visual analysis. Only F/Bb double horns (maybe with A stop valve in some cases) are taken into consideration.

BALANCE FACTOR
If the rotary valves horizontal axis stays to close to the middle of the instruments body the valve keys must be placed too far away. Most tubes stay on the left side while the right side contains not much more then a long junction between valves and keys. The Alex 103 is a typical and very extrem example of this factor, but as it is one of the most professionally played instruments it also shows that this design factors have nothing to do with the sounding qualities of an instrument.

KNOTED TUBES FACTOR
FOTO: HOYER 6801 Here is the reason why no Kruspe wrapped horn (except one) made it to the Top 10 Beauties. The B rotary valves position causes that too much tubes must search entangled ways in and out of the B valve. Usually you get something that looks like a plumbers work. This should not mean that it is not possible to make a Kruspe without knoted and outstanding tubes, McCracken shows that it is possible to make a beautiful looking Kruspe with his model 7 double.

HOLE FACTOR
This is a problem mainly for the Geyer horns. The tubes that go in to the first valve and come out the last valve often go straight what causes two big empty spaces B then hide behind the big final wrap tubing what causes another empty space A. Horns like Paxman 23 don't hide this tubes and go with a bend into the valves what's filling the spaces and generally looks much more interesting then a stright tubing. Some horns close the one or other space more or less. Those having a stopping valve clearly have an advantage, as it usually sits exactly there to fill space A. With the Engelbert Schmid double, we can even see an unusual big space A, because the whole valve section sits very far back in order to leave space for the version that includes a stopping valve.

TUBE ART FACTOR
FOTO: E. SCHMID TRIPLE The less the tubes look like a tinmans or plumber's work the better. Therefore this one is related to the "knoted tubes" factor where it can be seen how a plumbers work looks: Curves that first go into a straight tube before connecting through joints to something. Beautiful are rounded, curved tubes that are connected directly flowing from the curved form, they look more then art then simply functional.

Holton 478ER

Conn 8d

Alexander 403

SEE FOR YOURSELF
Here are three different full double horns, only one of this made it to the Perfect Beauties. What do you think which one is it?

DECORATIONS (this is not a factor)
FOTO: KEITH BERG First looking to a horn that has a detachable bell with garland and valve caps with decorations and then looking to a horn without any of this things, the second horn seems like a naked one. The ring of a detachable bell makes a nice partition exactly at a part of the horn that (without ring) looks boring from certain angles. But of course this is not a factor for this contest because it's a question of personal taste. Garland, bell cut and valve cap decorations can be fit any time additionally to any horn (at least I suppose so).

INTERESTING GREAT DETAILS
In my opinion the more balanced a horn is in placing of the rotary valves, the more interesting it looks, therefore I find the Cornford C28 or the Ricco Kühn 294 with displaced first and fifth valves or the Alexander 403 and Kalison kbc 26 with three valves in front and Bb-Valve on backside the most interesting of this horns.

THE THEIN M
Should I put the Thein M among the Perfect Beauties or not? It was difficult to decide because there are very few photos around of this horn. I finally got some pictures from Malte Mory who designed it, and it became clear that the Thein M deserves to be among the perfect beauties, I personally beliefe it to be the most beautiful horn of them all.

The Perfect Beauties

Alexander 200

Alexander 403

Cornford C28

Hoyer C12

McCracken 7

Paxman 23

Paxman Series 3

Ricco Kühn 294

Thein M

Yamaha 667v